THE SCREENING

The plan was clear, build four walls matching the exact frame size of the projection, sync all laptops together for seamless playback, and connect all sound to a single output.


In theory: smooth. In practice? A beautifully chaotic dance of cables, delays, and tech acrobatics.

also played with the physical space, placing elements from the film’s set design directly into the installation.


The goal was immersion: to blur the line between screen and reality, so the audience wouldn’t just watch the film, hey’d feel trapped inside it.

THE

SPACE

During my time there, I was given keys to the space, a small gesture that made a huge difference.


It felt like having my own private studio, a place I could shape freely. That autonomy made the entire process smoother, and gave me the confidence to fully step into my role.

For the screening, I chose Landbouwbelang once again, drawn to its brutalist nature and raw, unpolished atmosphere.


The space was more than just aesthetic; the concrete pillars were perfectly placed to hold my four beamers, all arranged from behind the screens. It felt like the building itself was built for this installation.

Thank you Marie for keeping me company!

There was only one chair in the entire space, and that was entirely intentional.


As for why... I refuse to answer.

STEPS IN BUILDING MY OWN MINI CINEMA:

  1. clean everything

  2. move very heavy shelves

  3. arrange all the wires to hang curtains and screens

  4. measure and do the math

  5. cut and mess it up

  6. cut again and don't mess it up

  7. put up and arrange the level of distortion via fabrics

  8. arrange the curtains

  9. re-arrange the curtains

  10. put one chair in the middle

  11. figure out the technical stuff

  12. get 4 beamers

  13. get 4 computers

  14. get HDMI cables

  15. get extension cords and adapters

THE RESULT

This is all the sneak peak you will be getting!